Worm’s first online issue Refuse: (v)(n)(-) is now online at www.wormrefuse.org!

It frames today’s environmental challenges alongside the current climate for creative production, through thirteen unique works by sixteen artists and practitioners.

Exploring three interpretations of the word refuse, as a verb, a noun, and a hyphenated potential, Refuse: (v)(n)(-) focuses on ecological resistance, deterioration and restoration.


1) to refuse (v): to reject/decline

‘Refuse’ as a verb calls upon an activist resistance against the systemic injustices brought on by exploitative neoliberal interests, which enforce climate denial and perpetuate justifications to contribute to global climate change.


2) Refuse (n): waste/pollution

Secondly, paying attention to ‘refuse’ as a noun helps formulate ways to consider the materiality, processes and planetary limits of pollution, especially as our hazardous production of waste will occupy and overspill into eras to come.


3) to re-fuse (v): to repair/reconnect

Thirdly, interpreting ‘refuse’ as a hyphenated form conceptualises a space for speculative dimensions away from the singular, apocalyptic narrative of climate change. Focusing on acts of healing a damaged ecology, to ‘re-fuse’ entails a synergy of hope and action. With this, perhaps it is unsurprising, or rather necessary, that interdisciplinary knowledge and different forms of creating are increasingly valuable in challenging the parameters of art practice and communicating climate change.





It is important to consider that most of these overlap in the (v)(n)(-) arrangement, some even extend past these definitions and in turn activate a refusal to be codified. They traverse the tangential spaces beyond the territories of discourse, and offer useful and exciting interpretations not to be defined by but to think with.

Why do we choose to refuse certain matters and human and non-human beings from participating in the conversations about the environment? What does this exclusion mean in terms of who and what has agency in the political power struggle of climate change? How do we culturally address issues on the frontline of environmental degradation through meaningful and progressive expressions, without compromising and aestheticising the crisis? How do we ‘re-fuse’ our social, economic, technological and political ecologies - locally and globally - for a positive and realistic attitude towards climate change? The multiple definitions of the word ‘refuse’ exemplifies the need to have manifold interpretations and discussions about environmental issues, which is the foundation of Refuse: (v)(n)(-).


Featured artists and practitioners:

Connor Brazier, Dave Young, Broadleaf Theatre, Samuel Capps, Melmel Chen, Elena Colman, Ralph Dorey, Annabel Duggelby, Jamie Hudson, Nana Maclean, Sean Roy Parker, Rachel Pimm, Alex Ressel & Kerri Meehan, Jakob Kudsk Steensen, and Matteo Zamagni

Design and coding by Alex Walker
Curated by Worm | Angela Chan (with an editor's note on the 'about' page)


Refuse: (v)(n)(-) is funded by Kulturrådet (Arts Council Norway) and Worm, with all proceeds going directly to the artists and designer. It is accessible for free on www.wormrefuse.org throughout 2018. This online issue is the second part to Worm’s 2016 exhibition, Tipping Points at Podium gallery in Oslo, which featured works by Andreas Ervik, Joey Holder, Rachel Pimm and Jakob Kudsk Steensen.